The History of The French House
Apart from the fact that it was a Hall (or Wealden) house as they are
known, and probably built in the late 14th or early 15th century,
we know very little about the early history of the house. We should
perhaps, have researched it in detail but we do know that it is not
now in the position where it was originally constructed. Hasted,
who was writing about it in the 1780's and no doubt got his facts
from those who knew them, refers to a remarkable occurrence in 1726
when the house slid down the hill some fifty feet and deposited itself
on the spot where it now stands. He said that the occupants - a farmer
and his family - knew nothing of the journey they had taken during
the night until the next morning, when the doors would not open,
although otherwise the house stood intact, its foundations (if there
were any) would have slipped down with the upper structure. The fact
that it was of timber construction (and thatched) explains why it held
together, for a stone barn that stood nearby was split in two.
This incident is often doubted, but it is corroborated by a letter in
the "Gentleman's Magazine" for April 1756, written by Wm. Gosling and
containing an account of the subsidence.
His architect for the construction of Port Lympne, Sir Herbert Baker,
was subsequently instructed to draw plans for the renovation and
extension of The French House to provide a house suitable for the
accommodation of some of the well-known personalities of the period
whom he was in the habit of inviting to the glittering parties he
often gave at Port Lympne throughout the period up to the outbreak of
the Second World War.
Baker was a friend of Sir Edwin Lutyens, they having met when
Lutyens was apprenticed in the office of Ernest George and Peto;
Baker was the chief assistant and was seven years Lutyens's senior.
Despite this, they became good friends and spent a lot of time on
forays into the Surrey countryside looking at vernacular architecture.
They were eventually to collaborate in designing the Viceroy's Palace
and the complex of Government buildings in New Delhi - a project that
was to bring about their estrangement and resulted in Lutyens
referring to the undertaking as his "Bakerloo".
However, they obviously shared many ideas about domestic architecture
and how new houses could incorporate some of the interesting features
of the dwelling houses of the sixteenth and seventeenth centuries:
there are many details at The French House which echo styles and
techniques often seen in the houses for which Lutyens was responsible.
Having been renovated, The French House was tenanted by Sir Philip
Sassoon's friend, Sir (later Lord) Robert Boothby ("The minister for
television" as Churchill once referred to him, due to his ubiquitous
presence on the new medium). Presumably Bob Boothby had the house
on a peppercorn rent so that he could act as host to Sassoon's overflow
of guests who could not be accommodated at Port Lympne. Boothby
writes affectionately about his time at The French House in his
book "Recollections of a Rebel". He was a particular friend of Nöel
Coward who had a house, Goldenhurst, just down the road at Aldington
and was a frequent visitor, often with other well-known theatrical
friends. There are photographs of Nöel Coward and Boothby at The
French House in Robert Rhodes-James rather rose-tinted biography of
Boothby. There is also a photograph of Boothby's first wife, Lady Diana
Cavendish, to whom he was married in 1935 although he realised quite quickly that it had been a dreadful mistake,
divorcing after some two years. Diana's cousin, Dorothy Cavendish,
was to marry Harold Macmillan who became Prime Minister although this
did not prevent Boothby from conducting a long running affair with her!